A delicate program for those who love to listen attentively: slow pages of Schubert and Brahms alongside nocturnes by contemporary composers, written specifically for pianist Olga Ivanova. Many pieces will be performed for the first time - this is music on the edge of audibility, where silence becomes meaning, and sound leaves a trace. There are concerts after which you want to speak louder, and there are those where, on the contrary, you start to cherish every word. This evening is arranged precisely like that: pianist Olga Ivanova has assembled a program of slow, focused pages of classical music - from Schubert and Brahms to nocturnes by contemporary composers written especially for her. In the first part, recognizable intonations will be heard: Schubert's clarity and Brahms' warmth, which is sustained not by effect but by inner strength. Then begins the territory of today's composers. The nocturnes of Nastasia Khrucheva, Ivan Sokolov, Yuri Vorontsov, Alexey Syumak, Vladimir Martynov, and Alexey Retinsky will reveal silence as a full partner: sound appears, disappears, returns in a new form, and the listener catches these changes almost physically. Here, everything matters - the duration of breath, the shade of touch on the key, the aftertaste of the last chord. Olga Ivanova is a graduate of the Moscow Conservatory. Her repertoire has been shaped at the intersection of different eras: it includes a lot of baroque music and personal arrangements, alongside a modern language that requires precision and courage. Such experience is audible in her playing: she knows how to maintain form while not hiding emotion, leaving space for the listener's own thoughts. If you don't know where to stroll in Moscow, visit KudaGo.