Dima Ustinov's new album is a journey within oneself, where piano merges with electronics to create a sound capable of altering the perception of time. The music is born from slow cycles, breath, and movement, transforming into a journey where attention shifts to personal sensations and inner rhythms. Dima Ustinov's music is built on a gradual immersion into a state where sound becomes a support for inner movement. His new album has grown from long experiments: live recordings, observations of his own reactions, and exploration of how repetitive structures affect the listener. At the concert, an environment is created where everyone can tune into their own rhythm and hear the music as a flow that does not require quick resolutions. The piano occupies a central place, but electronics constantly expand its space. Sound layers overlap, forming slow waves that change almost imperceptibly. This approach leans towards minimalism but avoids dryness-here, not only notes matter, but also pauses, breath, and repetition. The music holds attention through the inner movement that arises not from the outside but from the sound itself. Ustinov's experience impresses with its diversity: performances in Berlin, London, Lisbon, participation in the Meteora festival in the desert, where listeners observed meteor showers in complete darkness lying on the ground, musical residencies, work on performances, and long sessions. These projects reveal his interest in states of consciousness and how sound affects bodily sensations. Where to go in Moscow today is known by KudaGo.