Intuitive music comes alive in collaboration with Silence Quartet and Vladimir Gorlinsky - composer and sound researcher. The program builds a path from Stockhausen's meditative scores to the energy of jungle, creating a rare combination of academic tradition and electronic impulse. The series of concerts dedicated to intuitive music becomes a platform for meetings between performers and authors who are close to the search for new forms of interaction with sound. On this evening, a space re-emerges where the familiar rules of academic music take a back seat, and the listener encounters the process of live sound extraction, based on the attention, reaction, and internal state of the musicians. The participation of Vladimir Gorlinsky gives the project a special direction: he is known for working with unconventional instruments, spatial solutions, and hybrid formats. Silence Quartet reveals the potential of percussion as an independent expressive system. The collective works with timbres, layers, and impulses, allowing one to hear not only rhythm but also the structure of sound. In the first part of the program, instruction texts from Stockhausen's collection "Aus den sieben Tagen" are performed. These works address the internal focus of the performers: each gesture, each sound is born from a state, rather than from a strictly defined notation. This approach allows the music to develop unpredictably while maintaining integrity and direction. In the second part, Gorlinsky appears as an electronic musician under the pseudonym DJa’NkY. The contrast between the percussive structures and the energy of jungle creates a strong shift in perception. Electronic rhythms emphasize the physical nature of sound, interact with acoustic elements, and form a dynamic field. This is not a juxtaposition of genres, but an exploration of how different musical languages can coexist within a single performance. Where to go in Moscow today is known by KudaGo.