A festive evening where the birthday of the philharmonic resonates through Mozart. Conducted by Fyodor Beznosikov, with Nikolai Lugansky at the piano, alongside the Russian National Youth Symphony Orchestra, the Sveshnikov Choir, and soloists. The program includes Piano Concerto No. 24 in C minor and the Great Mass: from chamber confession to choral grandeur. There are evenings when academic music feels like a collective toast - without loud words, but with precise meaning. Here the occasion is significant: the birthday of the philharmonic is celebrated with a grand program, where solo virtuosity and choral power stand side by side. This season, Mozart's name resonates particularly often, and in this context, his C minor seems even more personal. On stage is the Russian National Youth Symphony Orchestra. At the conductor's podium is Fyodor Beznosikov. At the piano is Nikolai Lugansky. In the second part, the State Academic Russian Choir named after A. V. Sveshnikov joins the orchestra along with a quartet of soloists: Albina Latipova (soprano), Yulia Vakula (mezzo-soprano), Yaroslav Abaymov (tenor), Igor Podoplelov (baritone). This composition provides a rare balance: chamber precision and the scale of a grand canvas. At the center of the program is Mozart. The Piano Concerto No. 24 in C minor maintains tension from the very first bars: light and shadow walk side by side, and the piano part either argues with the orchestra or seeks support in its breath. Here, details are important: short replies from the woodwinds, transparent responses from the strings, sharp mood shifts. The listener alternates between catching the energetic rhythm and being left alone with almost a whisper. Then the Great Mass in C minor for soloists, choir, and orchestra will sound. This is music of cathedral scale, but its power is not in volume. It lies in the clear line, in the dialogue of voices, in how the choir gathers the hall into a single attention. The soloists add volume and human warmth: the soprano and mezzo provide contrast, while the tenor and baritone hold the foundation. The choir works as a single organism, and in the climaxes, a sense of flight emerges. Find other events in Moscow on KudaGo.