Organ lines, choral breath, and a rare score by Duruflé come together in a program where academic music sounds bright and deep. The concert program is built around works in which the organ, choir, and solo parts become equal participants in a large musical dialogue. For many listeners, this composition opens up the opportunity to look at academic music in a new way and hear how different eras and stylistic approaches connect. The evening creates a cohesive sound - from the strict expressiveness of Bach to the spiritual depth of the French choral school. The performers shape an expressive sound picture where every detail matters. The organ pages interpreted by Daniel Salvador showcase the scale of the instrument: from dense, focused sound to soft, transparent colors. The State Academic Russian Choir named after A. V. Sveshnikov works carefully with the voice, achieving clear diction and lively dynamics, while conductor Ekaterina Antonenko builds a balance between the instrument and the choral mass. A cello solo performed by Vasily Stepanov adds another timbral layer and emphasizes important turns in the musical fabric. The evening includes several contrasting compositions. The choral partita by Johann Sebastian Bach opens the program with a strict yet flexible structure. John Tavener's work for choir, organ, and gong addresses a different logic of sound - here, long lines, quiet transitions, and a sense of inner silence are important. The final accent is the Requiem by Maurice Duruflé. His music is based on soft harmonies, attention to choral timbre, and smooth movement, making the sound perceived as a gentle approach to the theme of memory. Where to go in Moscow today will be told by our website.