When two orchestras, several choirs, and soloists meet on stage, the music turns into a grand conversation about pain, memory, and hope. Sometimes a concert becomes an event after which one wants to be silent. That evening, great forces gather in the hall: the Russian National Youth Symphony Orchestra and the State Academic Chamber Orchestra of Russia, several choral groups, and three vocal soloists. At the podium is Philipp Chizhevsky, who is trusted with complex scores and delicate work with the choir. The program features Benjamin Britten's Requiem, Op. 66. This piece is structured as a dialogue: the Latin text of the mass collides with the poetry of Wilfred Owen, and monumental choral episodes are replaced by intimate confessions. Here, volume is not as important as meaning - how the breath of the hall changes when the boys enter, and how the orchestra sounds differently when only one voice and a few instruments remain. Soprano Nadezhda Pavlova, tenor Yaroslav Abaimov, and baritone Maxim Lisin will guide the listener through contrasts - from transparent prayer to sharp, almost documentary flashes. The A.A. Yurlov Chapel, the boys' choir of the A.V. Sveshnikov School, and the Academic Grand Choir "Masters of Choral Singing" of the Orpheus Television and Radio Center gather the polyphony so that it sounds like a single organism. On our website, we tell about free events in Moscow.