The music program of the ensemble "hearing!" explores the limits of pain - personal, historical, bodily. The Baroque of Maren Mare coexists with Messiaen and Filidei, and the electronics of Hiroshi Yoshimura - with the premiere of Artemy Rezvykh. Pain can be quiet and loud, bodily and spiritual, personal and social. The new program of the ensemble "hearing!" reflects on where its limit lies and whether it is even possible. The concert is structured as a collection of independent statements, where each piece is a separate point of view, and the stage transforms into a space for honest conversation without words. At its core are the contrasts of the repertoire. The Baroque dreaminess of Maren Mare combines with the tense intonation of Olivier Messiaen, whose fragments from "Quartet for the End of Time" sound like a prayer and a challenge at the same time. Nearby is the sharp work of Francesco Filidei, where sound becomes a scream and a protest, and Deconstructing ikea by Amund Sjol Svena, in which destruction turns into a metaphor for liberation. Japanese composer Hiroshi Yoshimura adds bright, almost weightless electronic spaces to this picture, changing the internal focus of the listener. A special place is occupied by the premiere of Artemy Rezvykh, written specifically for this project. In it, personal experience merges with modern linguistic plasticity, and the ensemble works as a single organism. The quintet's lineup - flute, clarinet, piano, violin, and cello - refers to the tradition of the Schoenberg ensemble, but in each episode sounds anew, varying depending on the character of the piece. The musicians of the collective are independent artists, participants in major Moscow festivals and projects, specializing in academic and contemporary music. It is important for them to go beyond the usual concert format and show how sound can capture a state, doubt, tension, and hope. On our website, we tell about free events in Moscow.