Bach will sound as if anew: the quiet oboe, warm marimba, and crystal vibraphone gather familiar pages into a new sound. The program includes solo and ensemble pieces, from suites and chorale preludes to chaconnes and an "Aria." This ensemble highlights the architecture of the music and its rare freedom from conventional orchestration. The evening is dedicated to the 340th anniversary of Johann Sebastian Bach and demonstrates how independent his academic music is from familiar timbres. The oboe speaks softly and intimately, the marimba adds bodily warmth, and the vibraphone brings a transparent brilliance from which counterpoints and harmonies seem to grow. When these instruments come together, familiar compositions are heard differently: the rhythm emerges more clearly, the pause is felt more precisely, and the melody becomes almost tangible. The performers are international competition laureates Dugar Tsybikov, Vladislav Shumikhin, and Nikolai Konakov. Their ensemble allows for changing the scale within a single concert: from solo pages to an ensemble where voices intertwine as freely as in Bach's fugues. This is music that is interesting to listen to for both those who have long been friends with Baroque and those who are just approaching it - without unnecessary academicism, but with respect for the text and form. The program is assembled like a walk through different genres. The English Suite No. 4 BWV 809 will be performed in a version for two marimbas, followed by the dance movements of the Partita BWV 1013 for solo oboe. There is also a chamber sonata BWV 1031, where the oboe connects with two marimbas. The solo marimba will take on the Chaconne from BWV 1004 and fragments of the lute suite BWV 996, while two marimbas will play the fugue from the cycle BWV 903. In the final part, chorale preludes BWV 639, 614, and 604 will appear, as well as the famous "Aria" from the orchestral suite BWV 1068 - in an arrangement for oboe, marimba, and vibraphone. If you don't know where to stroll in Moscow, visit KudaGo.