The concert of the Reheard Ensemble is a musical journey from Debussy's impressionism to experimental spectralism. In one program, revelations from the French and Austrian schools, picturesque allusions, and poetic dialogues are presented. You can expect a vibrant evening of deep sounds and unexpected discoveries. The musical evening of the Reheard Ensemble invites listeners to immerse themselves in a subtle dialogue between the past and the present - from Claude Debussy's impressionism to the spectral explorations of French composers of the second half of the 20th century. This concert is not just a collection of works, but a program meticulously crafted with filigree precision, where each element has its significance and resonates in harmony with others. Here, two worlds meet: the sensual, imagery-laden style of Debussy and the intellectually calibrated spectralism, where timbre becomes the main expressive means. The central highlight of the evening will be Tristan Murail's piece "Leaves Through Bells" - an interpretation of Debussy's masterpiece "Bells Through Leaves," in which the very sound logic is altered: instead of the usual hierarchy - the bell as a resonator, through which the sounds of nature can be heard. The program also includes Gérard Pesson's work "Life is Like a Christmas Tree," which is based on several bars of Debussy's violin sonata, and the sonata itself, allowing one to hear the original source. Another imagery dialogue unfolds in the work of Yuga Dufour for solo flute, inspired by the painting of Francisco Goya. An interesting point of intersection will be Alban Berg's adagio - a composition tinged with romantic shades, linking the Austrian and French musical schools. The program will conclude with Murail's piece "Thirteen Colors of the Setting Sun," where musical "colors" are revealed in half-shadows and shimmering timbres. We know what to see in St. Petersburg.