The dinner cinema is dedicated to a film where anxiety, obsession, and dark humor intertwine in a portrait of family life on the brink of collapse. The story of a young mother unfolds like a fragmented stream of feelings, where silence sounds louder than words, and everyday gestures turn into frightening signals. The evening creates a rare sense of tension and empathy at the same time. Lynne Ramsay's films often revolve around fragile psychological states, and her new work continues this line. The story of a young mother who has lost her sense of reality is revealed through anxious details: silence, snippets of dialogue, erratic gestures. The dinner cinema allows for a viewing experience where emotional reaction becomes part of the overall experience. It is not a horror in the conventional sense, but a drama about internal cracks that gradually change the heroine's behavior. Additional depth to the evening is provided by the participation of Nastasya Gorbachevskaya - a film critic and editor-in-chief of the Film.ru portal. She directs the guests' attention to elements that are easy to miss: the work of color, the unstable plasticity of the actors' performances, the ambiguity of scenes balancing between drama and black comedy. Through discussion, the film is perceived more broadly, and the emotions of the audience find reflection in the words of a professional. The space of the hall works as an extension of the film. Dim light, a projector, close-ups, a set table, and a welcome drink create a sense of intimacy. Free seating resembles a home screening, but the quality of the image and sound remains professional. This format helps to experience the plot with the whole body: visual images combine with the taste of the dish and quiet remarks nearby. The evening will suit viewers interested in stories about mental fragility and emotional fluctuations. The screening in the original language with subtitles emphasizes the nuances of performance, the rhythm of speech, and barely noticeable changes in intonation.