A film screening dedicated to the anniversary of the actor and an exhibition inspired by childhood. One day in Moscow reveals the spirit of the 60s: light, free, full of dreams. The film's episodes come together in a poetic walk through the city, filled with sincerity, youth, and a feeling that everything is ahead. What did Moscow look like through the eyes of young people in the mid-60s? What was the street like that you wanted to step out onto just to walk, look around, and wait for a chance encounter? This film shows the capital in its lightest, sunniest, and most tender form. The story of metro worker Kolya, installer Volodya, and shop assistant Alyona is not about a plot with a beginning and an end, but about the mood of the time. Their walk through the city becomes a portrait of a generation that believed in sincere feelings, in random encounters, in the power of smiles and kindness. This film is a rare example of cinematic poetry, where every camera movement and every scene is filled with lightness. The novella-episodes are strung together like glass beads: without heaviness, with a sense of inner freedom. It does not tell, but shows. It does not explain, but invites you to feel. The screening is dedicated to the 80th anniversary of actor Evgeny Steblov, who played one of the main roles. It is also dedicated to the exhibition "The Last Summer of Childhood," which reveals the visual and emotional context of the film. This is not just a film; it is an opportunity to find yourself in a Moscow that no longer exists, while simultaneously seeing something very alive and real. Viewers are expected not just to watch, but to remember, recognize, compare, and feel. The film, full of sunshine, youth, and naivety, seems to say: "Look, how it was. And maybe it has remained the same." And it is precisely for this genuine warmth that it remains in hearts. If you don't know where to stroll in Moscow, visit KudaGo.