Federico Fellini's classic is once again resonating on the big screen in its original language. The story of a director who has lost his footing between filming, memories, and fantasies transforms into a witty and unsettling conversation about creative crisis, love, vanity, and the search for oneself among one's own mirages, where each frame acts as a confession. Federico Fellini created a film in which the personal crisis of the artist becomes a captivating labyrinth on screen. The main character, tired director Guido Anselmi, must work on a new film, but instead of a clear concept, he is overwhelmed by memories, dreams, old fears, images of women, and a painful sense of creative emptiness. Reality in this story constantly changes shape: business conversations suddenly shift into fantasy, childhood impressions prove more important than the present, and the internal monologue sounds louder than any external events. The screening in the original language with Russian subtitles is especially valuable for those who love to hear the live intonation of the actors and feel the rhythm of auteur cinema more accurately. On screen are Marcello Mastroianni, Claudia Cardinale, Anouk Aimée, Sandra Milo, and other artists, thanks to whom the film relies on a delicate play of glances, pauses, and gestures. Here, plot twists, the plasticity of mise-en-scène, music, editing freedom, and shifts in mood from irony to almost confessional anxiety are important.