Kira Muratova's film is a subtle reflection on choice, closeness, and inner freedom. The characters meet against the backdrop of factory construction and seek their way through tense everyday life. The film immerses viewers in delicate psychology, allowing them to feel the power of the mundane and the significance of every glance. Kira Muratova remains one of the most unpredictable and profound directors of Soviet and post-Soviet cinema. Her works do not seek to please; they explore. In the 1978 film, she again addresses the theme of chance encounters - but does so subtly, attentively, with a sense of fragility and the importance of every moment. The plot revolves around a young driver who arrives at the construction of a new factory. Here he meets a woman and her friend - at first glance, this is just an episode in a series of everyday events. But it is in such unremarkable intersections that Muratova finds true drama. The characters are involved in a chain of reflections, personal choices, and internal transformations. Simple everyday life becomes an arena for serious and even existential experiences. Particular attention in the film is paid to details - not words, but pauses, glances, camera movements, and the emptiness between dialogues. This cinema does not require loud gestures: each frame works for the atmosphere, every turn of the head means something. At the same time, the rhythm of the era is felt in the film: factory, construction, everyday conversations - all reflect the reality of the late 1970s, but through it, more universal themes emerge - loneliness, the search for understanding, the movement towards light. The screening is dedicated to the 80th anniversary of Nina Ruslanova's birth - one of the most expressive actresses of her time. Her appearance in the film is not just a role, but a whole chapter in cinematic heritage. The viewing is supported by the State Film Fund of Russia and offers viewers a rare opportunity to see this iconic film on the big screen - in the very format it was intended. This is a meeting with cinema where the main thing is not the story, but the internal response. KudaGo presents the current poster.