The film based on Agnia Barto's book returns to the story of people scattered across different cities by war. Letters, meetings, and random testimonies form a chain of searches, where memory, patience, and the ability to listen to others are important. This is a quiet, poignant film about hope that relies on human involvement. The screening dedicated to the anniversary of Agnia Barto turns not to school poems but to her prose and radio stories about people separated by war for many years. The center of the story is not the front, but the post-war everyday life, where relatives scattered across the country try to find each other through fragments of memories, old addresses, and foreign words. The creators of the film carefully observe how a person's face changes when a familiar surname suddenly appears in a letter, and how difficult it is to decide to take a step towards someone when it carries the risk of new disappointment. For the viewer, this is a conversation about memory that lives in families much longer than official dates and parades. The heroes travel between cities, wait for answers, tell their stories to strangers, and each such episode becomes a small confession that the past does not let go completely. The film shows how fragile details of a biography come together into a complete fate, and how important it is to have someone who is ready to hear another's pain and not brush it off as just another sad story. This screening is of particular interest to those who think about family history and the theme of generational trauma. There are no loud effects or fast plot twists here, but there is time to observe the heroes, their pauses, and doubts. Barto's text, real appeals to the radio program, the actors' performances, and the director's perspective come together in one film that carefully preserves the tone of a trusting conversation. Where to go with children in Moscow can be found on KudaGo.