The story of a newspaper magnate who dies, leaving the world with one word - 'Rosebud'. Orson Welles' film unravels the man through shards of memory: interviews, rumors, archival footage. The screening is in the original language with Russian subtitles - to hear the intonations and pauses. After the screening, there will be a discussion about how cinema builds and deconstructs myth. When a media mogul dies in a luxurious mansion, one word lingers in the air - 'Rosebud'. It sounds like a password that no one understands. A news reporter is assigned to uncover what lies behind this strange clue. Thus begins an investigation with no straight paths or clear answers. Instead of evidence - interviews, letters, fragments of archives, conversations in half-tones. The story is pieced together from others' memories. Each interviewee sees the hero in their own way: to some, he appears as a benefactor, to others - a predator, to some - a child who still lacks much. As a result, the viewer observes not a biography 'by dates', but a mosaic of character. And in this mosaic, the theme of the price of success is particularly felt: what remains when the dream is already bought, but loneliness is not. A separate pleasure is the form. Cinematographer Gregg Toland works with light and depth of frame so that important details coexist simultaneously in the foreground and background. The camera looks from below, above, through windows and doorways, as if it too is trying to catch a glimpse of the truth. Bernard Herrmann's music underscores the anxiety and irony, while Orson Welles' acting maintains a balance between charm and coldness. This screening is great for those who love detective stories without chases and gunfire, where the solution lies in motives. It will also appeal to those who collect the history of cinema by key milestones and want to see how bold techniques become the norm for decades to come. Where to go with children in Yekaterinburg can be found on KudaGo.