A gripping and unsettling reimagining of Ray Bradbury's classic in a Soviet interpretation. The film, where "The Veldt" meets "The Martian Chronicles" and "Dandelion Wine", brings the viewer back to questions of freedom, technological progress, and loneliness - through images that linger in memory. The final screening within the film cycle "Cinematic Space of Light-Sound Experiments" will be one of the strongest and most layered points of this program. On screen - a rare and almost forgotten dystopian film "The Veldt", shot in 1987 by Nazim Tulyakhodjaev based on the works of Ray Bradbury. At its core - not only the titular story but also other texts by the American fantasist: "The Dragon", "The Pedestrian", "The Corporation of Puppets", the chapter "Martian" from "The Martian Chronicles", and even an episode from "Dandelion Wine". All of this forms a visual collage where science fiction turns into a disturbing reality, and the boundary between machine and human is blurred. The director connects on screen the Soviet visual school and the spirit of Western science fiction. There are no bright effects here - only a dense, slow, unsettling dynamic filled with internal tension. This film is not so much about the future as it is about the present, which frightens with its rapid loss of humanity. The screening is timed to coincide with the exhibition "Bright Thaw", and this is no coincidence. Like the exhibition, it brings us back to times of hope, intellectual tension, and the search for meaning. This film does not just recall the classics - it reassembles them anew, making them relevant for today’s viewer. Such a screening will be interesting to all who love auteur and philosophical cinema, appreciate multilayered statements, and are ready for a slow, deep perception. This is an important finale of the project, where cinema becomes a way to talk about the future - and about ourselves. Other events in Moscow can be found on KudaGo.