The cult perestroika drama by Sergey Solovyov returns to the big screen to once again unfold the story of generations, hopes, and disappointments within the walls of a communal apartment. The hall of the Yeltsin Center will transform into a space for a lively conversation about cinema, memory, and freedom with curator Lilia Nemchenko and attentive viewers. In the late 1980s, this film became a kind of symbol of the time when discussions about everyday life suddenly proved to be as important as loud slogans and political declarations. Instead of grand squares, there is a cramped apartment with creaky floors, a kitchen where arguments never cease, and a corridor where rumors, fears, and unfulfilled dreams roam. Here coexist a young millionaire, a Komsomol member with a proper biography, an heir of a noble family, a dissident with a quota, and a brilliant Arbat beauty. Each character tries to grasp their future, ultimately becoming part of a larger story where personal drama inevitably intertwines with changes in the country. Through their collisions, smirks, confessions, and betrayals, the director shows how old foundations crumble and new myths about freedom and success are born. Today, this film is viewed anew - as an honest conversation about the coming of age of an entire generation, the value of personal choice, and the fragility of human closeness. It is important that the screening is accompanied by a live introduction from curator Lilia Nemchenko: viewers hear the context of the film's creation, learn about its distribution fate, the work of the crew and actors, and why specific scenes became quotable and what different age viewers read into them. The format of the "From Museum to Cinema" meeting makes the viewing particularly rich. The screen narrative is complemented by a museum perspective and a discussion after the screening, where one can share impressions, ask questions, and see familiar episodes through the eyes of others. This screening will particularly interest those who love to dissect cinema into details, are interested in Soviet culture of the late 20th century, as well as anyone who finds it important to see a place for personal stories within the grand narrative.