This screening brings back to the screen a musical comedy where a dispute over tastes, family misunderstandings, and creative ambitions turn into a lively and witty story. The clash of strict academic tradition with the lightness of operetta creates funny scenes, recognizable characters, and a warm conversation about a person's right to hear their own voice. This session will interest viewers who enjoy old Soviet cinema with a musical rhythm, characteristic heroes, and comedic observational precision. At the center of the story is a professor-organist, a man of strict views and a convinced defender of academic tradition. For him, music must exist according to clear rules, and anything that goes beyond the usual canon causes irritation and almost personal offense. Therefore, the news that composer Mukhin is writing an operetta, also related to his daughter Sima, becomes the beginning of a whole chain of domestic, artistic, and almost theatrical confrontations. A. Ivanovsky's film builds conflict on several levels. On one hand, it is a family story about misunderstanding between generations, about the desire of the older generation to control the choices of the younger, and about a person's right to determine what is valuable to them. On the other hand, it is a subtle and very lively comedy about musical taste, about the clash of seriousness and lightness, strict schooling and stage freedom. The film shows how quickly principledness can turn into stubbornness, and care can turn into an attempt to impose one's own ideas of what is right on someone else's life. Particular pleasure here comes from the very intonation. The story moves through misunderstandings, flashes of jealousy, funny scenes on the edge of farce, and conversations where the debate about art unexpectedly becomes a debate about love, youth, and human openness. Because of this, the viewing will be interesting both for those who love musical comedies as a genre and for those who value deeper subtexts. Behind the light form lies a conversation about compromise, internal flexibility, and the ability to hear another, even if their voice sounds unpleasant.