The festival opening brings together flutes, harps, qanun, guzheng, and a symphony orchestra on one stage, turning the evening into a rare meeting of different timbres and musical traditions. The program moves from Mozart and Telemann to contemporary compositions and transcriptions, promising the audience a bright, dynamic, and very colorful sound. This evening is particularly interesting due to its unusual lineup and well-thought-out program, where the flute and harp find themselves at the center of a large orchestral action. The festival opening is structured as a showcase of the capabilities of these instruments across the widest range - from European academic tradition to music associated with other cultural intonations and sound colors. As a result, the program is perceived as a grand panorama, where both virtuosity and rare combinations of timbres are important. The lineup features Mozart, Telemann, Devienne, Mendelssohn, Marcel Grangiani, Wilhelm Popp, Dragana Jovanović, Wan Danhong, and Feras Charestan. This selection makes the evening especially lively: baroque music, classics, romantic transcriptions, and contemporary compositions coexist side by side. Among the key points of the program are Mozart's Concerto for Harp and Flute, Telemann's concerto for flute with orchestra, Devienne's Concerto No. 12, concerto for harp with orchestra, a composition for guzheng with orchestra, pieces for qanun and orchestra, as well as a version of Mendelssohn's violin concerto for flute. For the audience, this is particularly valuable because in one concert, they can hear how closely related yet completely different in character instruments reveal themselves. The harp provides transparency and brilliance, the flute offers agility and a lyrical line, while the qanun and guzheng add new colors and push the program beyond the familiar European sound. This format will suit both those who have long followed festival projects and those who want to get acquainted with academic music through an impressive, easily accessible evening.