How does time sound when stretched, compressed, and passed through organ registers, electronics, and a live ensemble? At the multimedia festival of contemporary music "Biomechanics. Shift of Times," compositions by our contemporaries will gain a visual layer, change the usual logic of the concert, and turn the hall into an experimental laboratory of sound. The multimedia festival of contemporary music "Biomechanics. Shift of Times" will bring together composers, performers, and sound artists on one stage, for whom the academic tradition becomes material for bold experimentation. Here, it is important not only what notes are written in the score, but also how they interact with space, light, movement, and the sounds produced by electronics. Each composition will transform into a self-contained world, where familiar genres blur, and the listener becomes involved in a live process of exploration. The CEAM Artists platform of the Center for Electroacoustic Music of the Moscow Conservatory will present a program that combines large form, chamber ensemble, and work with the digital environment. In one evening, telegraphic pulsations, microscopic sound details, video sequences, and the organ's breath of the large hall will meet. The electronic layer does not mask the music but emphasizes the gesture of the orchestra, highlights individual lines from the texture, and allows familiar instruments to be heard in a new way. The organ, performed by Daniel Salvador, sounds here as a partner of the ensemble and as an independent element capable of pushing the dramaturgy of the works beyond the usual concert scenario. For listeners who follow new names in contemporary academic music, this evening becomes an opportunity to hear premieres created specifically for dialogue with electronics and the large hall. Where to go in Moscow today is known by KudaGo.